At first glance, Charlotte Bronte's Jane Eyre appears to be a novel that promotes docility, preaching moderation and balance. This is demonstrated through the Jane's metamorphosis from a wild and passionate youth to a woman whose passion is tempered by logic. However, in Jane's inner psyche, the exact opposite is true. Jane begins as a child who longs for freedom, but is too shy to catching her in all her outward actions seem like courageous bursts of passion, in reality they stem from this deep desire for liberation, which she is too afraid to fully express. It is only when her fears are reversed that her wild side can be the winner revolution, this reformist and feminist attitude, is my definition of “wild”. Radical and unconventional, Jane frees herself from the barriers of class and sex like a bird soaring from its cage. She appears more docile and sober on the outside, but in her mind, the wild nature that is freedom and challenge reigns supreme. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay At the beginning of the novel, young Jane explicitly states that freedom is not worth sacrificing. The seeds for future contumacy are definitely present in her psyche, but the passion to gain freedom at all costs is dormant and undeveloped when Mr Lloyd, the pharmacist she calls to Gateshead after Jane's traumatic night in the Red Room , asks Jane if she would prefer to live with her poorer cousins ​​in Eyre, Jane. he says no. The narration, more experienced Jane, recalls, "I was not heroic enough to purchase freedom at the price of caste" (20) because Jane reveres the glamor and comfort of high society, the prospect of poverty for the sake of freedom it is too formidable to be considered. Therefore, Jane's passionate outburst is only a partial act of defiance, for although she condemns John (and his entire class) as “Roman emperors” (5), she is afraid of the risk. If “wild” equates to defying convention, then the opposite, “docility,” would be tractable. By fainting in the Red Room, Jane reveals her weakness: the susceptibility to the fear that Aunt Reed is instilling in her. Aunt Reed's influence keeps Jane at the mercy of the caste system. After Miss Temple leaves Lowood, Jane becomes restless with the change. He says, “For freedom I panted, for freedom I uttered a prayer” (88). The desire for freedom is evidently stronger than when she was a child. However, she is still too passive to approach and grasp it because in her mind freedom is rarefied for the upper class. Therefore, “make a more humble plea. For change, stimulus” (88). But the “stimulus” is also asking too much. In the end he is content with “servitude” (88). He tells himself that he doesn't deserve to have “Freedom, Excitement, Fun” (88); still the shy and quiet child of the Red Room, Jane refuses to break down the class barriers that separate her from freedom due to her preconceived notions. Another type of freedom that Jane aspires to is equality between the sexes. During one of her first days at Thornfield, Jane feels particularly restless; as she walks the battlement above the third-floor attic, Jane says, “Women should be very calm in general…but they suffer from too strict restrictions…just as men would suffer” (115). Jane's thoughts, imbued with the soul of Bronte's stifled opinion, promote the iconoclastic overthrow of male dominance. While in the past Jane was afraid of risking poverty for equality, here Jane makes no attempt to downplay eitherjustify his need for freedom. Jane is actually the vocal manifestation of Bronte's views on the rigid social hierarchy in England. Bronte explores the ambiguous position of the governess, which is a source of extreme tension for Jane and the characters around her. Although Jane's manners and upbringing are those of an aristocrat, she is treated more like a servant than an equal servant because she is a paid subordinate. Therefore, when Jane realizes that she loves Rochester, social barriers crystallize; he sees that although he is Rochester's equal in intellect, he is not his equal in society. Unfortunately, this painful reality is strictly enforced by the upper class, as is evident when the Widow Ingram and Blanche discuss their unfortunate history with the governesses, half of whom were "detestable and the rest ridiculous, and all nightmares..." (187 ). . Lady Ingram says of Jane: “I noticed her; I am a judge of physiognomy, and in her I see all the defects of her class” (188). Hearing this, Jane realizes that although she loves Rochester dearly, she will never usurp Blanche's place as Rochester's wife because of her class. However, since Jane ultimately supplants both Bertha and Blanche, Jane proves to herself that the class barriers she thinks are inviolable existed only in her mind. Therefore, the freedom she gains by marrying Rochester is actually a matter of overcoming the fear of breaking class barriers in her own psyche. Rochester, disguised as a gypsy, chastises this fear and pushes Jane to act against society. Until now, Jane is passive about her fate. He does not cross the threshold of Rochester's classroom because in his mind the classrooms are impenetrable. However, in the library, Rochester tells her otherwise. Enigmatically, he says, “you are a fool, because, however much you may suffer, you will not wave him closer, nor move a step to meet him where he waits for you” (209). To the reader, it is obvious that Rochester is begging Jane to overthrow society for love. Because even if “the materials are all prepared, only one movement is missing to combine them. The case separated them a little; let them be approached once and bliss will result” (210). Clearly, the only obstacle is not the social barrier that Jane blames, but rather her timidity to “challenge the opinion of the world” (234). While there are limitations in reality, it is more important to overcome the ones Jane has created for herself in her psyche. Jane finally transcends all social barriers when she asserts her equality on the night of Rochester's marriage proposal. Bird images predominate in this scene. Birds, a symbol of the freedom of the soul, are in fact mentioned throughout the novel, but are concentrated above all in this chapter, when Jane finally frees herself from the confines of her own conscience. At the beginning of the chapter, Jane hears a "nightingale warbling in a wood half a mile away" (266); this parallels the beginning of Jane's passionate outburst stirring in her mind. However, when Rochester says, “Jane, do you hear that nightingale singing in the woods?” (271), Jane begins to sob “convulsively” (271), finally allowing the “vehemence of emotion…to conquer, to live, to rise again, and to reign at last: yes – and to speak” (271). In the end, Jane defies both sexual and social barriers and says, "I've got as much soul as you - and just as much heart!" (272). He does not speak “through custom” (272), but as an equal. And although Blanche is financially and socially superior to Jane, Jane considers her “inferior” (272) because she now understands that none of these qualities should be a sufficient reason to marry. Rochester tries to calm the “overexcited” (272) Jane: “Jane, hold still;).