In Richard Louv's social commentary “The Last Child in the Woods,” Richard Louv develops the idea that technology and commercialism prevent people the imagination and creativity provided by nature. We say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay Louv's anecdotes and expressive images, comparing nature to a film, emphasize the concept of human dependence on technology that prevents people from getting closer to nature. Technology has reached every aspect of human life and is constantly advancing, whether with talking GPS or televisions in the back seats of cars. The human desire for the cutting edge has reached the point of causing confusion at a car dealership when a woman refuses to purchase the advanced automotive technology. By including the specific story of a woman who refuses to buy the car with the brand new "premium" television in the back seat and the astonished reaction of the salespeople, Louv provides context for the depth of human dependence on innovative and progressive technology. The reaction of vendors shows that people's desire for technology has become a social norm; the salesmen "'almost refused to let me [the woman] leave the dealership until she understood."' Using unobtrusive figurative language, Louv paints the scene from his childhood in which he waited with "reverence on the horizon while thunderstorms and dancing rain they moved with us,” its romantic reminiscence makes the reader long for an experience that they miss due to the abandonment of nature has been replaced by artificial entertainment “Sesame Street” and “Grand Theft Cars” are cheap counterfeits, disguised as a modern “luxury” culture. The Louv claims that commercialism has caused humans to exploit and abuse nature, overall leading to stunted human thinking and a lack of inspiration. In the past, looking out of a car window was a kind of worship; the older generation watched nature pass by and allowed the land to inspire poetry. The same past generation allowed itself to be persuaded by nature to reflect "on the past and dream of the future". Louv evaluates the current state of incomprehension by excluding the present from the times worth dreaming about. In the same way that the present time has lost its value, nature has also lost its value. Louv's assessment manifests itself in his rejection of all the imagination and creativity of the past. The moments and time of nature that people once observed in amazement have been replaced by the observation of beauty "everything passes in the blink of an eye". The author introduces the idea that people have begun to manipulate nature and confine the unflinching nature within the limits of people's imagination. Referring to a research project conducted in New York State on butterflies, Louv denounces the lack of respect for the genetic modification of butterflies, an originally organic creature, for commercial purposes. Advertisers see the environment as simply another medium of "moving advertising" that is used to its full extent with "park logos" and "ad space" in exchange for money to maintain the parks with a higher quality to go along with to the sponsoring company. the area. Louv includes Matt Richtel's excerpt, “'As far as sponsorship goes, it's time for nature to do its part,'” to express his own sense of irony in Richtel's words. . Louv's satire allows the reader to understand that the.