IndexFauvismTheoryWorks CitedFauvismFor artists, the twentieth century began five years late. It may have been late, but when it started, it was decades ahead of its time. In 1905 nothing was as “modern” as modern art. It will remain so for the entire century. There are many people who still cannot understand the art introduced in 1905, over seventy years ago. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay That first "modern" art appeared at an exhibition in Paris in 1905. Among the participating artists was one of the most famous artists of the century, Hentri Matisse. Along with Matisse's art were works by Maurice de Vlaminck, Andre Derain and Georges Rouault. Today the works of these artists are exhibited in museums, but in 1905 they were not yet famous. To the public they were infamous. Their paintings were so shocking that one newspaper critic called them the work of “Fauves,” a French word meaning “wild beasts.” The name remained such that all the artists who exhibited in that 1905 exhibition were thereafter called Fauves and their paintings were nicknamed Fauve art. The name "Fauve" was given to the art of Matisse, Vlaminck and their colleagues, even though they did not. it does not work with a common principle. And, as the years passed, their personal art changed. The paintings made by some at the end of their careers bore little resemblance to those made at the beginning. Yet, the name. "Fauve" continued to be used. These were the pioneering artists of the twentieth century, and their art, Fauve painting, was the pioneering movement of our century. Theory Fauve artists had no single or unifying artistic principle. Perhaps this was necessary for the pioneering movement of the century. Their only basic theory was experimentation. This is what shocked the French public of 1905. Their art was so experimental that it was like nothing gallery visitors had ever seen before. Fauvist art no longer seems so radical today. This is because their interest in experimentation became the guiding principle of almost all artistic movements of the 20th century. Experimentation in art has meant discovering new types of visual expression. It can be the general theory that guides all the artistic projects you will try in this book. Originally it was a Fauvist principle. However, if most 20th century art movements were driven by experimentation, such experiments were controlled by further theories. The main Fauve theorist was Henri Matisse. His colleagues followed many of his ideas, and his thoughts on art inspired many artistic developments of the 20th century. To understand Fauve art, one cannot do better than examine the art and ideas of Matisse. Nor can you find better guidance for developing your art. Here's what Matisse once said about his art. Expression is what I look for most of all... however, expression does not mean the passion that a human face reflects. The total composition of my painting is expressive. My arrangement of figures or objects, the empty spaces surrounding them, their proportions, everything has its role. With the exception of Georges Roualt, most Fauve painters followed Matisse and sought expression with total painting, the total subject. This is not a simple goal. It is achieved only after a lot of time and reflection. Studying Matisse's work can help you understand Fauvist expression in art. Matisse expressed himself with line. He did this by simplifying the line in his work. This meant eliminating unnecessary lines and using only the most important ones. These were, of course, the lines that created the shape of his subjects,.