Each movie contains multiple themes that create powerful plots to satisfy the audience. A director's most powerful tools in a film are his ability to use camera techniques to communicate with the audience. In the film "The Untouchables" directed by Brian De Palma in 1987, Eliot Ness, a treasury agent, decided to catch Al Capone while he was selling illegal alcohol during prohibition. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original Essay A powerful theme in The Untouchables is Eliot Ness's moral decline towards his ability to serve justice over evil. He transforms from a visionary young agent and family man into someone who must go against his oath to catch Al Capone and his illegal actions. DePalma shows Eliot Ness's transformations of values ​​that to serve justice over evil requires sacrificing a certain degree of goodness and idealism. DePalma uses point-of-view, close-up, and low-angle techniques to illustrate Ness' willingness to adapt and take down Capone by any means necessary. Directors use different shooting techniques to establish different plots and meanings over the course of a film. Director Brian de Palma uses point-of-view shots to convey the dramatic tension that Elliot Ness feels through the umbrella scene. In the beginning, Eliot Ness, began his job with a very outgoing personality, as any new agent would. He wanted nothing more than to capture Al Capone, the Chicago mobster. Eliot's first objective was to conduct a strategy to raid a warehouse with a large team of uniformed officers and seize illegal alcohol. As Elliot completes his mission, he uses an ax to chop down wooden boxes imported from Canada, only to find Chinese umbrellas. Depalma uses Ness's point of view to show subliminal information about Eliot's findings. Eliot's feelings of embarrassment and disappointment are portrayed as he sets himself up for failure. Depalma's camera technique expresses to the audience the moral decline that Eliot had while opening the boxes. Elliot has realized that what he is fighting against is not as easy as he had imagined. To continue the progression of Eliot's transformation in the film, DePalma uses a close-up of the church scene. After Ness realizes that he can't trust anyone but himself, he begins working alone without the incorruptible cops, whom he calls colleagues. Seek out Malone, a genuine and experienced old cop, for a second hand. “What are you ready to do?” Malone asks. “Everything in compliance with the law,” replies Ness. “So what are you ready to do?” Malone asks again. This scene was filmed in a church with a close-up of both men talking, to create privacy between the two. Ness realizes that he must carefully walk the line between good and evil to be successful at what he is doing. Malone tries to tell Eliot that playing by the rules will only lead to failure. “Do you want to know how to catch Capone?” he asks Ness. “They take out a knife, you take out a gun. He sends one of yours to the hospital, you send one of his to the morgue. That's the Chicago way. In order to overpower Capone, Eliot must learn to shed his weakness and adapt to serving justice over evil. Eliot's transformation begins to be visible to the audience as he is willing to do anything to put Capone behind bars. Furthermore, Ness's complete transformation of his values ​​to serve justice is shown in the rooftop chase scene. After working tirelessly to crack down on Capone's crimes,,.