Reyna Grande was born in Guerrero in 1975 into a poor family. This is why, when she was five years old, her parents left her and her relatives under the watchful eye of her grandmother to go to the United States in search of work and establish a home there for themselves and their children. Reyna's first novel, Beyond a Hundred Mountains, tells the story of Juana Garcia, whose father disappeared 19 years earlier after leaving the family to go to the United States of America. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay Reyna and her relatives lived in unfortunate conditions in a small shack made of bamboo sticks and tar-splattered cardboard, which was actually similar to the shack where Juana lived. One of its most important encounters is flood management in every windy season. “Our shack was next to the trench, and every time it rained really hard, the stream flooded. One night I woke up to find that our shack was full of water,” she also shares the anguish of watching her grandmother bite the dust in the days after she was stinged by a scorpion that fell from the roof of their shack. In the United States, Reyna was taken in fifth grade and placed in a small corner, along with other non-English speakers, and was educated by the teacher's assistant. She took a look at the children in the study hall being educated by the teacher, and felt unhappy at being banned, staying there in a small corner, not having the ability to talk to her own teacher. Reyna graduated from Benjamin Franklin Secondary School in Good Country Park, Los Angeles in 1993 and subsequently from Pasadena City School from 1994 to 1996. She later transferred to the University of California, Santa Clause Cruz, graduating in 1999 with a degree in experimental writing , films and videos. She also attended National College and obtained her teaching qualification in 2003. She then taught English as a Second Language to pupils in Year 6 through Year 8 until 2004, when she switched to teaching English as a Second Language. language to adults. In 2003, Reyna also took part in the Developing Voices Rosenthal Association program offered by the Pen Center USA where she met her specialist, Jenoyne Adams, who sent Reyna's original copy of Over a Hundred Mountains to a manager . Reyna is also the mother of four-year-old Nathaniel. Reyna Grande's book tells the story of illegal immigration and numerous different stories and shows how they are all connected. It tells the narrative of poverty that drives young people to leave school and push them into the fields. It tells the story of mothers who abandon their children and fathers who drink away the stress until they become brutal. It also tells the story of young people who overcome their misery, surrender and mistreatment to experiment with their fantasies and add to academia. Reyna Grande is four years old when her mother abandons her in Mexico to work in the United States. Her father is already there and, alone without guardians, Reyna and her siblings live with their harsh and sometimes ruthless paternal grandparents. He describes life in cardboard houses that flood during storms and have scorpions crawling on the walls. More distressing than his need, however, is his longing for his parents. The main part of the book describes the life of children in Mexico and is exciting to read. Poverty is immovable and the Grande brothers crave the adoration and affection that their grandparents will not give. At that point their dad returns from California and takes them to live with him in the United States, and they are confident that their troubles are finally over. Obviously this is not the case. In CaliforniaGrande children face separation from their teachers and peers. They struggle to learn English and stress about being expelled. At home the father is with another lady and the children miss their mother who has returned to Mexico. Their father drinks and goes into rages, beating his children over and over with his belt and wringing their hands. I often wonder what makes a story progressively suitable for nonfiction or fiction, and The Distance Between Us begins to answer that question. This book must be verifiable. The misery in it is unreasonably persevering for fiction. If this book were fiction, it might be all the more effectively limited as it is uncertain, an embellishment meant to characterize the struggles of young outsiders. Grande, however, deploys it as verifiable, and in this way forces her readers to recognize her encounters as obvious. It was really terrible. Ultimately the book ends with the narrator's struggles to understand her father. She dedicates the book to him and writes about him sympathetically, even refusing to protect his notoriety from the moments he broke her nose or put her significant other in the emergency room. Moreover, he strives to achieve it. He tries to understand the poverty and mistreatment he suffered as a child and how this shaped him and tries to forgive him. Ultimately, Reyna's father is the person who pushes her towards a higher life. He advises her and she sticks to that. He allows all of his children to get green cards, and Reyna goes to school and lives with a teacher for safety. This teacher introduces her to Sandra Cisneros and other Chicana/o authors, and suddenly Reyna is never alone again because there are other people who share her encounters and others who look and talk like her. The main body of Reyna Grande's book, chronicles Grande's early adolescence in a poverty-stricken Mexican city; the second half follows her cruel new life in Los Angeles after she and her relatives are brought to America illegally. Her father, Natalio, left for "El Otro Lado" (the opposite side) when she was two years old. When he was four years old, his mother, Juana, also went illegally to America to find him and bring him back, but she stayed away forever. It's been a long time since nine-year-old Reyna Grande has seen them both. He doesn't remember his father much. She only knows him from his circled photo; to her he is "The man behind the glass". Reyna lives with her more successful sister, Mago, and younger brother, Carlos, in the poor Mexican town of Iguala. These hardships might have been bearable if they were part of an adoring family, but Abuela Evila is cold and brutal towards them. Once, he even absorbs fuel from Reyna's hair lamp as a response to lice. Not short of attentive adults, eleven-year-old Wizard volunteers to take care of her relatives. At one point, Natalio returns to bring his children to America and, together, the family crosses the borders illegally. Reyna is excited to leave Abuela Evila and, for a time, assumes her troubles are over. However, Los Angeles is not the Guaranteed Land he imagined. It's full of fast-moving people and fast-moving traffic. On a night called "Halloween", trolls flood the avenues. Even more terrible is the annoying neighboring language, English. The kids don't talk about it and are despised by neighbors and educators. Above all, the relatives fear returning to Abuela Evila, so they lock themselves away. They learn English and get decent grades. Natalio gets everyone green cards and, although his strategies are cruel, he pushes his children to succeed. "Because we are illegal doesn't mean we can't dream," he says. Reyna fights formaintain a bond with his father and to understand why he is the way he is. In response, Natalio recounts an episode experienced during his adolescence: when he was nine years old, he was given work in the fields to keep the bulls in a row by hitting them with a pole. One, when they become mature enough, the children leave the house to move away out of his father's reach. For Reyna, this break comes when she leaves for college. She goes to live with a teacher who introduces her to creators from Latin America. This is a progressive moment for Reyna. She discovers others with voices and encounters like hers, prompting her to transform into a writer. Grande's overall understanding of migration is overwhelmingly positive, where sheer willpower and diligent work allowed her to achieve the watershed snapshots of graduating from high school. , graduating from school, becoming a teacher, buying a house, parenting and getting married. A deeper look reveals the price foreigners pay for their experience. Long divisions, vulnerability, feelings of extraordinary uncertainty and of being seen as an enduring and untouchable result in deep situated tension, misfortune and a clouded feeling of personhood. Diligent work and achievable goals help Grande beat them, but she discovers the lasting scars left by family rifts. None of his relatives are solid. The wounds are often not legitimately resolved but rather manifest, as with his mother, as journeys for connections and circumstances that will provide solidity in economic terms regardless of whether this involves abandoning people and places along the way. The feelings of trepidation of the People who have moved to escape the jaws of savagery and poverty are never shaken off, but are passed on to children. Thus, Grande battles the two evil mental presences of fear of abandonment and need, while simultaneously sensing that their antitoxin, the American dream, may not actually even be her fantasy. Grande's American Dream may not be a valid dream but rather a progression of overly compensatory practices that lead to material outcomes while simultaneously creating deep intellectual discord over her character. Is it true that she is Mexican? Is it true that she is American? If she is Mexican American, I don't understand the meaning, and what are the social markers that give her a sense of self? Grande often portrays herself and her true personality through her desire for some typical Mexican dishes, which comfort her in their taste and affirmation of her essence, her central being. Grande also repairs the break in her personality by joining a folklore movement. Collect and learn confusing Mexican moves. Authorizing Mexican customs encourages her to defeat a distancing feeling of "otherness." She describes confusing “skirt work,” making the reader wish she had fully explained the moves, sets, and combining impacts. Grande's experience is significant in light of the fact that it is shared by numerous undocumented and reported workers, from Mexico as well as several nations, particularly those in Central America. Understanding the idea of ​​their horrific encounters makes us feel sympathy as it produces very deep respect for those who focus on building a superior world for all. Please note: this is just an example. Get a custom paper now from our expert writers Get a custom essay The exposition of this book is simple. The author tells her story with great simplicity, focusing on the plot rather than the language. Regardless, the book is innovative and has the right to be read generally. Works, 38(2), 147–166.