This article is about the Crow and the Goblin Market. “The Crow” is interesting as an independent poetic structure associated with semantic integrity defined in terms of the relevant themes and mechanisms of its artistic representation. The work is a crossroads on the main thematic motifs Creativity and Pau, which should also include the theme of unrequited love, the premature death of a young woman, inconsolable pain and the motif of love relationship with the world of the living world otherworldly. These motifs appear already in Poe's early works (Dore, Gustave and Edgar Allan Poe). "The Crow" gave shape to two important images: a young man with a crow. A sad man who has just lost the woman he loves, tried to immerse himself in the book to forget the pain, but all in vain, the more he read, the greater the erosion of loneliness and pain; while the symbol of death and menacing crows, but at midnight, fly into this man who often meets the deceased lover Leinuo hut. Furthermore, the poet also created two poems on the topic of images which play an important role. One is black, "the pure tone can make you happy or generate a sense of depression." Throughout the poem a black background is used; make the reader feel depressed, so men feel the heart of fear and pain. The recurring poem "never again" can be seen as a special kind of image. In addition to the unexpected word, it also has a symbolic meaning. When he played in the Ravens, the sad man asked what his name is, the raven's answer is "never again", but when asked if the masters had the medicine raven to eliminate Leinuo the thoughts in his mind when he wanted to know if and in the distant paradise Leinuo meets again, and finally asks to leave the hut when the crows, the crows cross the "never...... middle of the paper...... a cautious look at the "Market of Goblins" shows that the poem is quite complicated, and capable of supporting a more innovative study than those set out above. Rather than saying that "Goblin Market" has a particular concept, I would put forward the idea that it strives to address some identified issues by Rossetti within the canon of. British literary works, and in particular with the question of how to create a female idol. There are no significant female heroes in British literary works until Rossetti's long run. like Age in Austen's Pleasure and Tendency, but they have no room for courageous activity. They are limited by the gender roles into which a male-dominated community has placed them. Age must invest much of its power in waiting for Darcy to act; she herself is hampered by the cords of decorum